writing

The Anatomy of Your First Chapter

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person-using-typewriter-1448709
Photo by Min An from Pexels

Nothing will draw your reader’s attention like a completely perfect first chapter. But complete and utter perfection is easier said than done. In fact, as the head editor of DEPub, I can say with authority that an author’s inability to construct a flawless first chapter is the biggest obstacle to getting published.

So, before we break things down, we need to ask ourselves, “What should the perfect opening do?” Well, it has to introduce the main character and the world in which your story takes place. It has to have a strong, unique hook, an original voice, a well-defined tone perfect for your intended readership, several references to classical literature that are obscure but not too obscure,  something mysterious but also completely clear and understandable, a non-cisgender character, an abortion, a description of a sunset or wedding that makes your own personal memories of those experiences pale in comparison, a person dead or dying of a little known disease, fish, dark humor, nothing callous or insensitive, 2-15 words that aren’t English, and either a galactic spaceship battle or a grounded discussion about motherhood but preferably both.

Now that might sound easy, but once you start writing you’ll definitely notice some key elements are missing. So here are some tips, advice, suggestions, reminders and pointers on how to reduce redundancy and sharpen that first chapter into a useful weapon to plunge into heart of your reader.

Start in media res

With ever-decreasing attention spans, the readers of today need their dopamine fix fast. Recent studies show that readers will decide whether or not to read your book after the first three words. So you’ve got to whip out all your literary might, so to speak, and dangling it front of their face.

That’s why I suggest you start in the middle of your scene. Skip long introductions, skip backstories, skip exposition, skip character description, skip names, skip adverbs, skip nouns, skip punctuation. Start your book with a gunshot to the head. “Bang Bang Bang.” Start your book with cannibalism. “As far back as I can remember, I always wondered what people tasted like.” Start your book with a nonsensical string of expletives. “Fuckin’ piss-ass cocksuckin’ motherfucker.”

Don’t frontload the backstory

Be sparing with your reveals. It’s probably not good to painstakingly detail every year of your character’s life from birth to their present age. Don’t make the same mistake I did and write a hard-boiled crime thriller where the lead detective doesn’t reach puberty until page 46.

Maybe pick one or two key moments from your character’s past that relate to the events unfolding in your first chapter. If your character is eating a sandwich, maybe then would be the time to talk about their high school job as a school cafeteria bully. If your character is in the middle of a high-speed car chase, maybe you should talk about the advice their high school driving instructor gave them.

Opinion, opinion, opinion

Your story is driven by the voice you give your narrator. Original, radical opinions are maybe the best hook you can give your reader. Give your character a refreshing voice of reason, or a scornful voice of hatred.

Look for contrasts. Maybe your radical Islamic terrorist has decided to leave his past behind and open a bakery on the west side. Or maybe hint at a revelation like this: “I hated immigrants my whole life – until the day I realized I was one.”

When nothing else works, change your starting point

Start by asking yourself, “Why am I starting here?” Then ask yourself, “What if I started here?” Then, “No, how about here?” And “No, I think the second one was better. No, wait, which one was the second one?” And finally, “Why am I trying to write this stupid fucking book nobody’s going to read? Just give up you no talent piece of garbage.”

And once you get all that out of your system, try removing your first paragraph and see if that’s better. If that doesn’t work, make your second chapter your first. Then delete every sixth sentence and see what that looks like. Is your story starting to make much less sense and does it seem completely disjointed and nonsensical? If you’ve followed everything I said up until now, your answer should be “no.”

Finally, deliver the burgeoning conflict

There’s a saying I put in all my Powerpoint presentations when I teaching storytelling at the adult learning annex: “Your first chapter doesn’t have to bring the storm, but the storm should be visible on the horizon.” After all the applause, I go on to explain how this is the driving force of all fiction.

Be subtle. Instead of staring with a bank robbery, have the manager of bank security list every single vulnerability he’s noticed. Instead of starting with the death of a father, start with a dream sequence of a near-death experience of an uncle.

 

Remember, it’s important not to panic. This is a long process. So long as you don’t mind getting rejected for decades, there’s nothing to worry about. I hope this has been helpful.

Seven Secrets To Writing Better Characters

Daniel Madison1 Comment

l ron hubbard

Characters are the windows to our story’s soul. They embody our wants, wishes and desires, and we often use them to say the things we can’t in real life without being called a “racist,” “sexist,” or “that guy who has some strange ideas about Israel for someone who’s not very religious.”

The following is a sneak-peak of what you’ll learn in my 75 part, non-refundable online writing course on how to create believable, dynamic characters that aren’t obvious self-inserts.

Give your characters strong opinions

As a writer, there’s a good chance you’re naturally passive. You’re probably afraid to speak in front of others, cower from responsibility and suffer from a complete lack of charisma.

To write resonant characters, however, you’ve got to provide  strong personalities readers will want to follow for the next 300 pages. Giving your character strong opinions is a great way to do so.

For example, I wrote a story about a lonely, American twenty-something unsure of what to do with his life who also thought the holocaust wasn’t such a big deal. I realized it wasn’t working and couldn’t quite understand why. After a good deal of consultation with my beta readers, I decided it would be much better if he denied the holocaust ever happened at all. Now he was somebody who got your attention.

Unpredictability is key

Storytelling is all about character growth, how characters react to their circumstances and how they mould the world around them. Nothing will grip a reader more than a character making an important decision your reader didn’t expect, and if you followed my last piece of advice, sharp changes of mind will be all the more striking.

For example, try making your conformist, browbeaten neighborhood butcher, who has spent his whole life doing what he’s told and making sausage from animal parts, decide one day that he’s going to make sausage out of human parts.

It can go the other way, too. Make your antagonist the good guy. Maybe the liberal philosophy professor decides he isn’t going to give another lecture about why everyone needs to be atheist, quits his job and instead goes to church to pray.

Grudges are another key

This goes part and parcel with strong opinions. Much of our folklore – hell, much of human history – is built upon grudges. I think naturally we as humans are fearful of outsiders, occupying forces and the imminent threat of Sharia law being implementing in our schools.

Your grudges can be professional, political, social or familial. And sometimes, the vaguer the better. A hinted-at grudge is a great way to worldbuild without wasting too much time on exposition. In my Grisham-esque thriller The Subtle Subpoena, we don’t need to be told why the protagonist has it in for the criminal defense firm Abelman, Cohen and Blumenthal – it should be obvious.

Improve physical descriptions by being as specific as possible

Strong, unique physical descriptions are a cornerstone of great character. Read the following sentence: “The cashier had a mole under his right eye.” Decent, but it leaves a lot to the imagination. Here’s a much better version of that sentence: “The cashier had a mole 2.78 centimeters below his right eye.”

Better, right? It’s much easier to picture this way. In the first example, the mole could technically be anywhere under his right eye; it could be next to his mouth, on his neck, on his knee, or even under his left eye.

Character names are more important than anything

Nobody wants to read a book about someone named Jared or Brayden. That’s why it’s important you pick evocative names that follow the three “make it’s”: Make it era-appropriate, alliterative and symbolic.

Names that don’t fit the era they’re set in can be distracting. If you’re writing a historical drama about the Antebellum South, don’t do what I did and name your general Zebulon Geezwax of the Ursa Antilles Cluster.

Also, alliterate every name you can. All great writers and porn stars do it. Names like Candy Cox and Dante Demarcus DeHarrison already tell the reader a lot about the character.

And slather your names in symbolism. Don’t call your character something boring like Joe unless you want him to be an everyman. If you’re writing sci-fi give them a mythic Greek last name and if you’re writing literary fiction give them a mythic Greek first name. Or use obscure color names like Vermillion Dax, Smaragdine Simons, and Burnt Sienna.

The third key is interesting professions

There have already been a lot of books about sea captains, princes, private detectives, humanities professors, hippies and refugees who just whine about everything that’s happened to them. It’s your job as a writer to explore the unexplored, and what better way to do so than by picking a character with a unique profession.

Some ideas: Podcasters who will do anything to uphold the Second Amendment; a Crisis Actor; a movie producer and lobbyist trying to repeal the Second Amendment; a lawyer who happens to be a woman; and the most unsung of all heroes, Israeli politicians.

Finally, you need a moral dilemma

So you’ve got an opinionated, grudge-bearing, unpredictable character with a unique name and profession. But eventually your story will hinge upon the decisions that character makes, and a perfect way to do that is to put their convictions to test, to force them to make uncomfortable choices. This conflict is the essence of all my books (and I assume others as well).

Will your podcaster let Spotify ban his streams on their platform, or will he use his Second Amendment rights to uphold the First? Maybe your character has always been taught men and women are equal? If so, what will he do to stop radical feminists from attacking him on social media?

 

To learn more about character development, contact us to enroll in our comprehensive online course. It’s just three easy payments of $88.

 

Your Guide To Beta Readers

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beta reader

So, after months (or perhaps years) of blood, sweat and tears, you’ve finally finished your book, revised it, self-edited it and have proven to your friends and family that you’re not an unambitious, braindead waste of space slowly counting the days until death.

But hold on there. Before you consider self-publishing or reaching out to literary agents, you’ll want to consider sending your book to beta readers.

What are beta readers?

Beta readers are volunteers who will read your book and provide you with feedback. The name “beta” comes from the word “Betamax,” a popular home video format from the 1980s. People would often share and exchange these “beta” videos in much the way beta reading is the sharing of novels and ideas for improving them.

Beta readers are a good way to get a fresh set of eyes on your work, to address the numerous glaring mistakes, plot holes, poor characterizations, boring passages, cliches, overly graphic sex scenes, and embarrassingly obvious references to your personal life in your work.

It’s important to remember that a beta reader is not an editor. Remember, development editors help you with your overall structure, line editors look at your usage and diction and polish things up to make your manuscript sparkle, proofreaders look at grammar and spelling errors, grammar consultants tell you if you’re using the gerund correctly, book buddies are the shoulder to cry on, and then there’re critique partners, who are basically another word for beta readers but they’re also totally different and I’m not going to explain why,

And if that sounds confusing and overwhelming, well… maybe your family was right about you being a braindead waste of space.

Who makes for a good beta reader?

It will be tempting to ask friends and family to fill this role. But ultimately, these people despise you so much, it will be tough to get a fair, unbiased opinion. (If you’re anything like me, you wrote this book just to spite them for thinking you didn’t have it in you.) So who then?

Your best option is prisoners, if you have the right connections. Every great writer should have at least two or three wardens in his contact list.

Which brings me to my next point: You probably want different beta readers for each project. Anyone too used to you or your writing will have trouble judging you honestly. Fortunately, most prisoners will either be transferred, released, or executed by the time of your next release.

What should you want from your beta reader?

This is very specific to the type of project you’re working on. It will be beneficial to send a list of questions to your beta reader. Here’s some from my most recent project:

  • Are there too many descriptions of female breasts, or not enough?
  • Which female character’s breasts did you most enjoy reading about?
  • Did it feel like the breasts lacked strong character motivation?
  • Was the progression of the breasts throughout the story convincing?
  • Did the dialogue about the breasts sound natural to you (even the parts concerning the fake breasts)?

Through this process, my prisoners were quick to inform me that I’d neglected the breasts far too often. I’d (in a rather sexist way, I’m sad to admit) spent too much time having my female characters talking about the men in their life, instead of celebrating the unique individuality of their own breasts.

How do you implement and handle feedback?

It’s natural, upon hearing any sort of criticism, to want to verbally assault or threaten your beta reader. This is yet another reason why prisoners work so well. A quick scan of their rap sheet will make you think twice about threatening or insulting them. And that’s great because these people are here to help you on your journey and only want to make you a better writer.

And remember, you don’t have to heed all of their advice. Early on, one of my beta readers kept describing my female characters as “unsympathetic.”  While he enjoyed the titillating descriptions of her body, he kept saying he didn’t understand why the reader should care about her. I might’ve taken his advice, too, if I hadn’t learned he was doing four life sentences in Lompoc for strangling prostitutes.

If more than one of your beta readers describes a plot point as confusing, or certain character developments as unearned, then there’s probably something to it. Go through the comments they leave and pick the ones to keep and the ones to discard. If three people say you need to flesh out the part where your character finally reveals the secret about her breast augmentation surgery to her roommate, those are keepers. If you see comments like “Help. Please, I’m not supposed to be in here,” or “When I break out of here, I’m comin’ for you first,” those are the ones you want to discard.

And finally, make sure you politely thank your beta readers for their time.

 

 

Five Must-Know Facts About Manuscript Appraisals

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by Qate Blanjett

laughing at book

Manuscript appraisal is one of the cornerstones of the publishing process. It can help you become a better writer and turn your book from a piece of trash even your best friends belittle you for to a best-seller. Simply put, manuscript appraisal is when someone reads an early draft of your book and gives you notes on different structural elements of your story, such as pace, tone, plot, and character.

The feedback you’re given can be life-changing. Many people don’t know this, but George R.R. Martin’s A Song of Fire and Ice was originally a series of cookbooks before a manuscript appraiser convinced him to turn in into the medieval fantasy saga we all know and love today.

Below, I ask and answer five questions about manuscript appraising which I think hope illuminate the process to the uninitiated.

Do I need a manuscript appraisal?

This is an important question to ask yourself. The short answer is, if you haven’t written a book and don’t want to be an author, then no. If so, then yes. The long answer is the same thing but written in a more long-winded, roundabout way that someone who does manuscript appraisal can help you make more concise.

What kind of appraisal service should I choose?

With the rise of digital publishing, more and more appraisal services have been sprouting up. But how is an inexperienced author supposed to know who to choose? Generally speaking, it’s more convenient to pick somebody local, but if you have a small budget, outsourcing the job to West Africa is another good option. Still, you have to be careful. Some red flags to look for:

  • Companies that require a blood sample
  • Companies that don’t have or know what a “website” is
  • Companies that offer an appraisal within 24 hours
  • Businesses registered as toothpaste manufacturers for tax purposes
  • Testimonials that refer to the company as a “bunch of shitheads”
  • Companies that only offer appraisals in the form of “would bang” and “would not bang”

How do I know if my manuscript is ready for appraisal?

Ideally, you’d like to have the best possible draft of your work ready when you start to appraise. But more realistically, you’re a really shitty writer, which is why you’re doing the whole appraisal thing in the first place. So just get to where ever you feel is good and let the people you’re paying do the hard work.

What sort of feedback can you expect?

This is a tough one. Because you’re really just tossing a coin. Some appraisers are less professional than others, and will resort to personal attacks and name calling. They’ll say your ideas are “borderline genocidal” and “a symptom of the decline of political debate in this country.” More level-headed appraisers will be more constructive and positive, telling you “you’re one of the ones who gets it” and “not afraid to offend the snowflakes.”

What should I include when sending in my manuscript for appraisal?

Below I’ve compiled a list of the definitely yeses, definitely nos and definitely maybes.

Definitely Yes

  • Your manuscript
  • A cover letter
  • A killer mixtape
  • A short synopsis
  • Some chocolates or other types of sweets
  • An author bio that forgoes some of your more personal beliefs, such as that of your views on miscegenation

Definitely No

  • Hair and most other types of human remains
  • Somebody else’s manuscript
  • A copy of an already published best-seller
  • Erotic photography of the author
  • A personal manifesto that definitely includes your views on miscegenation

Definitely Maybe

  • Deer hair
  • An assortment of jerked meats
  • An author bio that explains your fragile mental state and likelihood to resort to self-harm when faced with criticism
  • Erotic photography of an attractive person
  • Your return address

10 Big Mistakes New Authors Make

Daniel MadisonLeave a comment

by Truitt Collyns

hunt-and-peck-2

1. Limiting your marketing venues

With the rise of digital platforms most new authors know to take advantage of online social media marketing (Twitter, Facebook, Pinterest, Breitbart), but most stop there. And in doing so, you prevent yourself from reaching so many key demographics: the elderly, Luddites, obese people with fingers too fat to type, the poor, convicts without access to electronics, people who never really considered owning a phone or computer, or even those who prefer spending time outdoors. But fortunately, there’s many other marketing avenues available even to the most inexperienced authors that will give your work the necessary exposure. Try, for example, taking a printed copy of your book to your local library and reading it loudly in a crowded area. If it’s a comedy, make sure to laugh boisterously at your own jokes, and if it’s horror, scream during the most intense sections. If time is not a factor for you, consider transcribing your first few chapters in chalk on the sidewalk, preferably in your town’s highest foot traffic areas. And if money is not a factor, skywriting is another option.

2. Writing for fun

Simply put, writing is a job, no different than being a doctor, plumber or general secretary of the United Nations. And just like those jobs, it’s a soul-crushing, mind-numbing endeavor that will make you question the purpose of your existence daily. And although if you have the talent and put in the hard work it’s likely to pay more than any of those jobs, it’s still not something anyone would consider fun. So if you’re going to quit your day job to write full time, make sure you’re doing it for the money and fame and not because you think it’ll be easier and more relaxing than teaching autistic children how to read.

3. Getting a professional book cover

You’ve all heard the maxim “Don’t judge a book by its cover.” It’s one of the first things they teach you in school. That’s right: Even little children know that you’ve got to look inside a book to know if it’s worth reading. Yet new authors will pay hundreds of dollars to graphic artists to design a book cover, when that money could be spent on more important things, like food stamps, alimony or insulin.

4. Forgetting to cultivate your image

Just like musicians and actors, authors aren’t really selling their books – they’re selling themselves. Experts say that after the title and the first chapter, the most important part of your book is the author photo. Readers want to relate to the people telling them stories. Do you think Stephen King would be nearly as popular as he is if he didn’t inspire people by showing them that even hideously ugly people could attain fame and fortune? And what’s more likely: that people like Dan Brown for his sharp blazer/sweater combos, or for his writing? And JK Rowling showed millions around the world that you could be a successful author and a woman.

5. Disregarding the competition

Most new authors feel their work can succeed on its own merits. They tell themselves that so long as my story is well-written and people can relate to it, I’ll have done my job. But real authors know how cutthroat this industry is. To get ahead, you’ve got to be willing to go on the offense. Let’s say I’m a prospective buyer and I’m looking for a new sci-fi adventure story. Am I just going to pick a book at random? More likely, I’ll choose work by an author who doesn’t support ISIS, or whose writing doesn’t “suck a bag of dongs.” People forget Robert Ludlum rose to prominence after publicly decrying Tom Clancy’s use of “underage orphan ghost writers.”

6. Forgetting to tell your publisher to get an IBSN

7. Putting page numbers in the middle of pages instead of at the bottom

8. Not paying tribute to any of the myriad satanic secret societies to which so many agents and editors at New York publishing houses belong

9. Using the “hunt and peck” method of typing.

10. Forgetting that agents and publicists are open to bribes, blackmail and extortion. 

Six Huge Changes Coming to the Publishing Industry in the Next Decade

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by Qate Blanjett

book publishing

By the year 2028, scientists project more than half of the earth will be populated by people. Global warming will have escalated to the extent that the five largest corporations will be air conditioning manufacturers. The largest city on the planet will be Tokyo and the largest country will be Africa.

Taking into account current financial, academic and social trends, experts project the publishing industry is likely to see the following turbulent changes to its present platform.

1) Free book rental

Due to increasing unemployment in the Western world, millions will have a surplus of spare time but diminishing disposable income in comparison to previous eras. To resolve this problem, many governments will start subsidizing the publishing industry by purchasing large amounts of books, which will be stored at local facilities for open to the public. Readers can go to these places to not only peruse new and old titles, but also to rent books completely free of charge, provided they are returned within a predesignated period of time.

2) Mental link between authors and readers

In the next few years, we’re likely to see companies offer titles that can be downloaded directly to artificial memory chips already installed in a reader’s cerebral cortex, but by 2028, we’ll go a step further. Readers will simply visit their favorite author’s website and for a nominal fee, will be able to “mind-link” with the author and have the latest installment of their favorite saga telepathically transmitted to them. This will also benefit authors by saving countless hours of typing time.

3) The return of papyrus handscrolls

As we’ve seen in the past decade, despite the convenience and availability of emerging high-tech formats, many readers still prefer traditional forms of media. Therefore, we’re likely to see a 1400 percent increase in the amount of handscrolls sold, and the big publishing houses will devote at least 30 to 50 percent of their workforce to transcribing the latest best sellers on these scrolls.

4) Poorly written books will no longer be profitable

Places like Harvard and MIT are already at work on an algorithm that can tell whether a book is good or not. No longer will popularity and acclaim be subject to the whims of the literary critic or the Amazon reviewer. This algorithm will provide every single piece of literature in existence with an unbiased “value score” determining its literary merit. New novels – by debut self-published authors and firmly-established giants alike – that fail to reach a certain threshold will be removed from bookstores and likely deleted from existence.

5) Harper-Collins will buy a five percent stake in Penguin Random House

This will happen on July 18th, 2023.

6) Publisher and author dynamic likely to change

It’s very likely that, due to increase market pressure and a rise in the number of potential clients, established authors will be pressured heavily by publishers to produce work in a timely manner. In one possible scenario, a representative of the publishing company will inject a load of small nanobots into the author carrying a payload of strychnine in polymer sacs that, should she fail to meet a deadline, will be torn and released into the bloodstream causing instant paralysis and death.

Five Tips for Writers Considering Self-Publishing – And More Tips

Daniel MadisonLeave a comment

by Truitt Collyns 

cash money

Let me set the scene – perhaps it’s a familiar one. You’re sitting at your desk one morning, an open bottle of vodka to one side, a loaded pistol to the other. Your manuscript has just been rejected by your favorite publisher, such as, for example, Dragon Eagle Publishing. But even though a full day of raucous drinking and gunplay should cheer you up, it’s not going to introduce your masterwork to a larger audience.

So perhaps it’s time to consider self-publishing. But first,  reflect on why your story was rejected in the first place. For example, did you know that more than 75 percent of manuscripts Dragon Eagle receives are rejected solely because the author had an ugly-sounding name? Names like Jett, Shadow, Kirisitiana? That’s your aiming for – none of this John, Herman, Virginia or Gertrude nonsense. But it’s not always the name. For example, maybe you had some beta readers – friends, family, co-workers – appraise your work. Did any of them describe it as “bad,” or “not good,” or “not worth publishing?” Have any refused to talk to you since? Well, maybe that’s a sign you still need to make some minor tweaks.

But let’s say you got a great pseudonym, a clever title and a story people can at least feign interest in to maintain your personal relationships. Here’s some tips and information about the world of self-publishing we hope can guide you.

1. Do your research

This is probably the most important step your self-publishing journey because not all ebooks are created equal and not every solution is going to work for your project. Therefore, when you Google “How to Self-Publish My Ebook” don’t just look at the first page of results. This is going to require you to go to all the way to page 6 or 7. (Unless, of course, your settings are different and you don’t just get the standard ten results per page).

2. Your local neighborhood library is a great resource…

… of cheap labor because of its large homeless population. You can have these people write and post reviews to Amazon, Lulu and Goodreads, create ad copy, and even design covers if you hit the jackpot and stumble across a former art major and mother of three whose house recently burned down due to faulty wiring.

3. Promote your book

This one’s pretty self-explanatory. Once your book is ready to upload, you’re going to need to spread the word. So get to it.

4. Remember that books aren’t sandwiches.

This is an important one when considering your audience and their needs. Keep in mind, sandwiches are just something to provide humans with nourishment and energy. Books are also not washing machines, tiny umbrellas you put in cocktails, nice fleece blankets or 2008 Honda CR-V’s. A person who needs those things doesn’t necessarily need your book. (Books are, however, a well-maintained ceiling fan).

5. Consider marrying into a rich family, or waiting until you make your first million, to start publishing

6. Or, failing that, consider all possible corporate tie-ins

7. Make sure you’re using the subjunctive correctly

8. Enter every contest, even if your book doesn’t fit the topic. Trust me, the National Jewish Writing Society doesn’t want to read any more about the Holocaust.

9. Be the smartest, loudest and preferably tallest member of every writing organization you join.

10. You’re almost there.

So you’ve done everything we’ve said. You did your marketing research and promotion, you’ve created a cover, everything’s formatted, you know who your audience is and you feel success is on it way.

Well, you couldn’t be more right, because the next thing you’re going to do is hit the “Cancel Publishing” button, not upload your book to the platform and ask for a refund if you need to. Because you’ve passed the test and shown Dragon Eagle Publishing you’ve got what it takes to make it in this business.

Send everything to us and we’ll get the contract prepped and ready to sign. Welcome to the Dragon Eagle family, Mr. (or possibly Mrs.) Writer. Has a nice ring to it, doesn’t it?

 

47 Novels by Chinese-American Women You’ve Got to Read This Month

Daniel MadisonLeave a comment
by Ding Yunyi
If you’re anything like me, you spend your whole day surrounded by books because you’re a research consultant for a publishing firm. But even if you’re not like me, you still probably get through a couple dozen books every month, which means you and I are not so different.
In this column, I’ll be writing about some great, recent novels worth checking out. Each entry will be categorized in some manner, sometimes by genre, sometimes by era, and in this case by the race, gender and attractiveness of the authors.

Best of the Best

Where Has the Time Gone?  by Daphni Jiang
A heartfelt drama about the childless marriage of two time-travelling vampires
The Women of the Chrysanthemum by June Wang
A young floral shop opener is haunted by spirits of the women who were turned into fertilizer and sold to her
How to Survive As A Woman in America by Zhou Ni Meng
One woman’s travelogue through American medical procedures and fitness culture
Behind Closed Eyes by Sasha Connie Chung
A woman discovers a terrible secret about her husband: he’s blind
Journey to the East by Chastity Ding Wo
A farcical comedy about two divorcees’ road trip from Tallahassee to Jacksonville
The Year of the Pig by Dawn Rae Chen
One woman’s quest to go an entire year only eating pork products
Touch of Silk by Chen Rui Dang
A coming-of-age story about a tensile strength evaluator in a Jiangxi textile factory
Riding the Red Dragon by Britney Speers
An erotic novel about a yoga teacher who has sex with dragons
Bootlegs and Knock Offs by Misty Stone
A love story about a big city girl with an affinity for stylish footwear and leaving work early
Fifty Years on the Great Wall by Michael Yu
A middle-aged literature professor called Humbert Humbert is obsessed with the 12-year-old Dolores Haze, with whom he becomes sexually involved after he becomes her stepfather

The Rest

Feminist Lit:

The Boy Next Door by Jackie Lin
The Good Women of China by Donna Evans
The Bad Women of China by Eve Adamson
The Sexy But Otherwise Mediocre Women of China by Fei Yi Mei
China Dolls (6) by Cao Xi Li
China Dolls (11) by Jessica Bangkok
Sense and Sensibility by Autumn Qiu
Harky Porter and the Philanthropist’s Stoat by Jing Kong Rao Ling
The Complete Works of Charlotte Bronte by Chao Xie
Short and Thick by Madeline Jiang
They Called Me Leprosy Face by Jane Qiong
All the Thick Girls by Li Li-Li
Mrs. Rick Shaw by Hai Lin
The Secret Life of a Short and Thick Girl by Lina Fei
Diaries of a High School Dropout (And North Korean Refugee) by Kim Kim
I Am China by Rui Zi Xuan
I Am Also China by Judy Xin
I Am Also China II: Escape to Delpulon by Judy Xin-Rui

Mystery, Suspense, Thriller:

Guangzhou Girl by Melissa Xu
Beijing Bitch by Melissa Xu
Shanghai Skank by Melissa Xu
The Filthy, Slutty Whore of Chongqing by Melissa Xu
Murder Beneath the Orient Express by Janet Chao
Journey to the Murder Beneath the Orient Express by Janet Chao
The House By the Geothermal Hot Spot by Bonnie Fo Fonnie
Green Tee by Ba Nana Fanna Fo Fonnie
I Have Diabetes by Wei Fu Bin Fee

Horror / Fantasy:

Children of Midnight by L’oreal
Zardoz by He Si Si

Z is for Zhizhisidi by Georgia Brown

The Wrong Side of Infinity by Lucy Li

Eat Shit and Die by Ching Chong

The Farmer’s Daughter by Stephanie Wu

 

The Party Leader’s Daughter by Stephanie Wu
The Speech Pathologist’s Daughter by Stephanie Wu
Dyscalculia by The Female Confucius
 

Five Great Books To Curl Up With On Bright, Blindingly Sunny Days

Daniel MadisonLeave a comment

by Truitt Collyns

Spring is on its way. That means it’s the perfect time to get away from it all: the piercing sunlight, the coma-inducing allergens, the suspiciously friendly neighbors jogging their animal. Below we’ve got a great list of books, new and old, to get you through the next several weekends.

So what makes a great springtime read? It’s hard to say. Some help us forget nature exists at all; others provide a rich portrait of its awfulness. So lay back, hunker down beneath your heating blanket, turn on the fan, take a few Vitamin D supplements and enjoy.

John Steinbeck  The Grapes of Wrath

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A classic. At 575 pages, this book should take the average reader a good chunk of the afternoon and evening to finish. Steinbeck’s intimate portrait of a family devastated by the Dust Bowl won’t fill your head with any foolish ideas about the majesty of nature.

William Gibson  Neuromancer

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Another classic. Not only is it both the foundational text and zenith of the genre that came to be known as cyberpunk, it’s great to imagine a future where the synthetic overtakes the organic. Although there’s a few parts where it rains, you’ll mostly be envisioning computer chips, server rooms and other sterile environments.

Margaret Atwood  The Year of the Flood

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The sequel to Oryx and Crake. In all honesty, probably the weakest entry on this list, but still superior to many activities, such as checking to see if you left anything in your car and answering the door when you don’t know who it is. Recommended if you like: dystopian fiction, speculative fiction, second installments even if you missed the first, books from seven years ago, or even books written by a woman.

Mohsin Hamid  Exit West: A Novel

exit west

Mohsin Hamid’s latest book is beautifully written, both timely and timeless. This amazing story of young lovers forced to flee their homes in search of a new one is worth risking it and treking to your local bookstore to purchase.

Anna Claybourne  100 Most Destructive Natural Disasters Ever

natural disaster book

While Ms. Claybourne may not be the next Wordsworth, the plethora of essential information she’s able to fit into this digestible package is a commendable task. From the 2004 Indian Ocean tsunami to the 1900 Galveston hurricane, this one covers all your favorites, while finding room for a few deep cuts as well.

Editor to the Letter

Daniel MadisonLeave a comment

By Devin Harper

As the chief editor of Dragon Eagle, I’ve got a pretty easy job. Editing is, at its essence, a spirited dialogue between the author and editor. But since most of our authors are dead, I’m left with no choice but to publish their work the way they intended: word-for-word with zero revision or proofreading.

So instead, I’ve decided to devote my time to this monthly column, where I analyze pieces submitted to Dragon Eagle and offer advice on how to improve them. This first example comes from an entry into our short story contest last July. Let’s take a look at the opening paragraph:

John closed his eyes, knowing full well he would walk out of this room, and through the door that led to the outside of said room, the one he was currently in, a changed man. He opened his mouth and sucked in several deep gulps of the nitrogen-oxygen mixture – no breathing through the nose for him. Once his blood was adequately oxygenated, he took a step forward, first by lifting his right foot off the ground, and second by placing it back on the ground several inches ahead of its prior position. This process was repeated with the utmost of mechanical precision. In the gaps between his blinks, John was left to absorb and process the visual data. The carpet was a motley of red, green, brown, yellow, pink and orange and several other colors, but the walls, in sharp contrast, were of a single tan color, and, as he expected, John could not see his reflection in them. His body lurched forward of its own momentum and came to a halt. John, using his lower appendages as a fulcrum, stood there.

Pretty good. There’s a few things, though, I might change to tighten things up. For example, the sentence “He opened his mouth and sucked in several deep gulps of the nitrogen-oxygen mixture” is a little wordy. I might write it like this: “His mouth opened and drew in several deep gulps of the nitrogen-oxygen mixture.”

And I think the author has a slight tendency to use big words where a small one would suffice.  We could turn “Once his blood was adequately oxygenated” into “Once his body was adequately oxygenated.” With those changes, our edited paragraph might look something like this:

John closed his eyes, knowing full well he would walk out of this room, and through the door that led to the outside of the room, the one he was currently in, a different man. His mouth opened and drew in several deep gulps of the nitrogen-oxygen mixture – no breathing through the nose for him. Once his body was adequately oxygenated, he took a step forward, first by lifting his right foot off the ground, and second by placing it back on the ground several inches ahead of its earlier position. This process was repeated with the utmost of mechanical precision. In the gaps in his blinks, John was left to absorb and process the visual data. The carpet was a motley of red, green, brown, yellow, pink and orange and several more colors, but the walls, in sharp contrast, were of a single tan color, and, as he expected, John could not see his reflection in them. His body lurched forward of its own momentum and came to a halt. John, using his lower appendages as a fulcrum, stood there.

Let’s look at another example. This one comes from a blood-stained napkin an anonymous author slid under our office door one evening:

Strength. Beauty. Brutality. Honor. Decorum. Love. The men were out there, bodies heaving, mouths panting, ears listening, finally putting into practice what they’d only seen etched so passionately on chalkboards. For some, the battle inward was more harrowing than the one they were chasing outwardly. It was not just the darkness of defeat, for that they’d been prepared for since birth. No, it was the obliteration of the self that truly haunted them. Perhaps it was the intimacy, to be in such close proximity to the enemy, to look into the eyes of a man who could be your brother and taste his sweat. And in this moment they knew you’d have the cut off the head of sympathy the moment it reared its head.

Again, not bad writing per se, but a little wordy. You get the sense the author’s relying a bit too much on unnecessary jargon. With some minor edits, we’re left with this:

The Detroit Pistons defeat the Chicago Bulls, 107-91.